Seminario Profesora Aurélie Vialette
La profesora de la Universidad de Yale Aurélie Vialette habla en Filosofía y Letras sobre filantropía musical y el caso de los coros obreros catalanes
Interview John Griffiths
Interview John Griffiths. By Miguel Jerez, Centro de Estudios Tomás Luis de Victoria
Vihuela Database
The Vihuela de mano and related instruments in Renaissance Spain This site houses information about the vihuela de mano, or simply vihuela, the plucked musical instrument that flourished during the approximate period 1475-1625 in Spain and throughout the Spanish empire, as well as other regions that had cultural links with Spain.
Concert of the Ensemble Antica
Jordi Casas, director. Esta velada musical se enmarca en la realización de una serie de encuentros musicales que tienen lugar en edificios históricos y en los que se exploran los secretos del sonido renacentista. Un proyecto conjunto entre el Museo Nacional de Escultura, el Museo Casa Cervantes y los musicólogos del proyecto «Contrapunto» de la Universidad de Valladolid. Valladolid, Museo Nacional de Escultura, 4 october 2019, 20:30h.
Music and Late Medieval European Court Cultures – MALMECC Conference
"Nunca fue pena mayor and European Courts: Symbolism and emotion". Paper presented by Soterraña Aguirre Rincón (University of Valladolid) at the Music and Late Medieval European Court Cultures (MALMECC) Conference. 26th – 27th September 2019. Faculty of Music, University of Oxford. Session: Iberian connections (Chair: Karl Kügle). Friday 27 September, 11.15 - 12.45.
IMS2019@Lucerne: IMS Intercongressional Symposium
The IMS in collaboration with the Lucerne University of Applied Sciences and Arts, School of Music, is organizing an Intercongressional Symposium on the topic “Agency and Identity in Music” in Lucerne (Switzerland) from July 7th to 10th, 2019. School of Music of Lucerne University of Applied Sciences and Arts (Inseliquai 12B, 6005 Luzerna) Wednesday 10 July, 2019 10:30–12:00 Session 20 (Room 02): South American Identity Formations John Griffiths, chair 16:30–18:00 Session 30 (Room 09): The Agency of Memory Cristina Urchueguía, chair Ana López Suero, Paper The Atmosphere of Spanish Obsequies around 1500
47th MedRen Conference 2019 Basel
47th MedRen Conference 2019 Basel Themed session: The Renaissance Musical Work: Foundations, Repertories and Practices. Participants: Soterraña Aguirre Rincón (Principal Investigator), John Griffiths, Carlos Gutiérrez Cajaraville, Pilar Ramos López, Ana López Suero and Manuel del Sol. Musik-Akademie Basel (Schola Cantorum Basiliensis), NEUER SAAL, Basel (Switzerland). July 3, 14:00–16:00h.
Making Musical Works in Early Modern Europe, 1500-1700: Composition, Improvisation, Notation & Performance
The Institute of Musical Research, Senate House (London), in collaboration with the Project “The Renaissance Musical Work: Foundations, Repertories and Practices” coordinated by Soterraña Aguirre Rincón from the University of Valladolid, and funded by the Spanish Ministry of Innovation, Science and Universities [HAR2015-70181-P], presents the following session: Thursday 27 June 2019 Keynote Speaker Kate van Orden, Harvard University Convenors Manuel del Sol, University of Valladolid David Lee, University of Glasgow Stephen Rose, Royal Holloway, University of London Lydia Goehr’s The Imaginary Museum of Musical Works (1992) prompted heated discussions about how far the term and concept of the ‘musical work’ is
MUSICAL EXPERIMENT OF THE RDI PROJECT “THE RENAISSANCE MUSICAL WORK”
Based on the study of a selection of works widely disseminated in Renaissance manuscripts and prints (Nunca fue pena mayor, Pange lingua, Aspice Domine, Los braços traygo cansados, and Missa Pro Victoria by Tomás Luis de Victoria), as well as the critical editions of some of the original sources (available here), we have recorded these compositions in three representative historical buildings of Castile: the House of Miguel de Cervantes (Valladolid), the Palace of Avellaneda in Peñaranda de Duero (Burgos), and the San Gregorio Chapel in the Museo Nacional de Escultura (Valladolid). The experimentation with the sound according to the space, the
Congreso Internacional Patrimonio Musical en la Corona de Aragón (1418-1707). Universidad de Valencia
“Pange Lingua de Johannes de Urrede, emblema de la dinastía y la religión". Comunicación presentada por Manuel de Sol en el Congreso Internacional Patrimonio Musical en la Corona de Aragón (1418-1707). Universidad de Valencia, Centre Cultural La Nau (Valencia), March 21-23, 2019.
