“Sound”, Encyclopedia of Renaissance Philosophy, ed. Marco Sgarbi, Basilea: Springer, en prensa.

“Imaginary realities, Imaginary tablatures”. Notes for CD Cifras Imaginarias, Jacob Heringman and Ariel Abramovich (vihuelas). Brussels: Arcana records, Outhere Music, 2017. Notas de CD

“The Lute and Viola da mano in Naples”. Notes for CD Il Barbarino. Musica per liuto e Viola da mano nel cinquecento italiano, AD105 Paul Kieffer (lute and viola da mano). Arcana records, Paris: Outhere Music, 2017. Notas de CD<

“Cifras selectas de guitarra: Guitar Music by Santiago de Murcia” Review of recording by Private Musicke, (dir. Pierre Pitzl). Lute Society of America Quarterly 52-1 (Spring 2017): 30.

“Cifras selectas de guitarra. Por Don Santiago de Murcia”. Edición crítica del manuscrito del mismo nombre. Madrid, Servicio de Publicaciones de la Sociedad de la Vihuela , 2017. © ISBN: 978-84-697-5533-4

“Ideen zu einer sozialgeschichtlichen Lektüre von L’Artusi (1600)”. Musiktheorie – Zeitschrift für Musikwissenchaft, Laaber, 2016, Musiktheorie(n) im langen 16. Jahrhundert: Intentionen, Strategien, Methoden, XXXI (1), p. 54-67.

“The Spanish prohibition on women listening to music: some reflections on Juan Luis Vives and the Jewish and Muslim legacy”, Tess Knighton y E. Ros-Fàbregas (eds.), New Perspectives on Early Music in Spain, Kassel: Reichenberger, 2016, pp. 418-432. ISBN 978-3-944244-15-0

“Oral traditions and unwritten music from the time of the Catholic Monarchs”. En Tess Knighton (ed.), A Companion to Music in the Time of Ferdinand and Isabel. Leiden: Brill, 2016, ISBN13: 9789004325029, pp. 504-548.

“Una nueva mirada sobre los motetes de Victoria de 1572”. Edición digital. CENTRO DE ESTUDIOS TOMÁS LUIS DE VICTORIA, 2016.