Interview John Griffiths
Interview John Griffiths. By Miguel Jerez, Centro de Estudios Tomás Luis de Victoria
Vihuela Database
The Vihuela de mano and related instruments in Renaissance Spain This site houses information about the vihuela de mano, or simply vihuela, the plucked musical instrument that flourished during the approximate period 1475-1625 in Spain and throughout the Spanish empire, as well as other regions that had cultural links with Spain.
Music and Late Medieval European Court Cultures – MALMECC Conference
"Nunca fue pena mayor and European Courts: Symbolism and emotion". Paper presented by Soterraña Aguirre Rincón (University of Valladolid) at the Music and Late Medieval European Court Cultures (MALMECC) Conference. 26th – 27th September 2019. Faculty of Music, University of Oxford. Session: Iberian connections (Chair: Karl Kügle). Friday 27 September, 11.15 - 12.45.
IMS2019@Lucerne: IMS Intercongressional Symposium
The IMS in collaboration with the Lucerne University of Applied Sciences and Arts, School of Music, is organizing an Intercongressional Symposium on the topic “Agency and Identity in Music” in Lucerne (Switzerland) from July 7th to 10th, 2019. School of Music of Lucerne University of Applied Sciences and Arts (Inseliquai 12B, 6005 Luzerna) Wednesday 10 July, 2019 10:30–12:00 Session 20 (Room 02): South American Identity Formations John Griffiths, chair 16:30–18:00 Session 30 (Room 09): The Agency of Memory Cristina Urchueguía, chair Ana López Suero, Paper The Atmosphere of Spanish Obsequies around 1500
47th MedRen Conference 2019 Basel
47th MedRen Conference 2019 Basel Themed session: The Renaissance Musical Work: Foundations, Repertories and Practices. Participants: Soterraña Aguirre Rincón (Principal Investigator), John Griffiths, Carlos Gutiérrez Cajaraville, Pilar Ramos López, Ana López Suero and Manuel del Sol. Musik-Akademie Basel (Schola Cantorum Basiliensis), NEUER SAAL, Basel (Switzerland). July 3, 14:00–16:00h.
Making Musical Works in Early Modern Europe, 1500-1700: Composition, Improvisation, Notation & Performance
The Institute of Musical Research, Senate House (London), in collaboration with the Project “The Renaissance Musical Work: Foundations, Repertories and Practices” coordinated by Soterraña Aguirre Rincón from the University of Valladolid, and funded by the Spanish Ministry of Innovation, Science and Universities [HAR2015-70181-P], presents the following session: Thursday 27 June 2019 Keynote Speaker Kate van Orden, Harvard University Convenors Manuel del Sol, University of Valladolid David Lee, University of Glasgow Stephen Rose, Royal Holloway, University of London Lydia Goehr’s The Imaginary Museum of Musical Works (1992) prompted heated discussions about how far the term and concept of the ‘musical work’ is
Congreso Internacional Patrimonio Musical en la Corona de Aragón (1418-1707). Universidad de Valencia
“Pange Lingua de Johannes de Urrede, emblema de la dinastía y la religión". Comunicación presentada por Manuel de Sol en el Congreso Internacional Patrimonio Musical en la Corona de Aragón (1418-1707). Universidad de Valencia, Centre Cultural La Nau (Valencia), March 21-23, 2019.
Sound, Space and Music
Speakers: Soterraña Aguirre Rincón, Eduardo Carrero Santamaría, Eva Esteve Roldán, Carlos Gutiérrez Cajaraville, Iván Iglesias Iglesias y Antonio Pedrero González. Universidad de Valladolid, Facultad de Filosofía y Letras, Sala de Juntas (2nd floor), Friday, February 15th, 2019, 10h – 14h | 16,30h – 18,00h
Taller de jóvenes investigadores. Conservar el Poder en la Edad Moderna: teorías, técnicas y modalidades
“La obra musical renacentista: uso y pervivencia del himno Pange Lingua “more hispano” de Johannes de Urrede". Ponencia presentada por Manuel del Sol en la Escuela Española de Historia y Arqueología en Roma - CSIC (Italia). Wednesday February, 12, 12:00–13:00h.
Conference – Pierre de la Rue and Music at the Habsburg-Burgundian Court
"Imperial Laments at the Spanish Habsburg-Burgundian Court: The Plainsong of the Lamentations of Jeremiah in Polyphony.". Comunicación presentada por Manuel del Sol (Universidad de Valladolid). Alamire Foundation, Hof van Busleyden, Malinas (Bélgica). Miércoles 21 de noviembre, 16:00–18:00h. "Musical Landscapes in the Journey of the Flemish Chapel through Castilla". Comunicación presentada por Ana López Suero (Universidad de Valladolid). Alamire Foundation, Hof van Busleyden, Malinas (Bélgica). Miércoles 21 de noviembre, 16:00–18:00h. "The canción Nunca fue pena mayor and its “art-song reworking” Missa Nuncqua fue pena maior." Comunicación presentada por Soterraña Aguirre Rincón (Universidad de Valladolid). Alamire Foundation, Hof van Busleyden, Malinas (Bélgica). Jueves,
